Walk past a café, a takeaway or a village hall and you may spot the same ai poster font. Aggressive brush strokes. A slight upward slant. Oversized capitals that look dashed off in a hurry. The writer of this piece…
Having represented Nigeria at its inaugural Venice Biennale pavilion in 2017, Ehikhamenor has built a practice that extends beyond visual art into literature and cultural institution-building. For New Wave, we spoke about the research behind the exhibition, the histories embedded in…
Sue Campbell Hall is Loughborough University's newest hall of residence, opening for the 2027/28 academic year. It's the first new hall on campus in seven years, and we're inviting students and staff to design its logo. The winner will receive a…
Since its founding in 2010, The Document Foundation has used the LibreOffice logo to represent itself. This was a deliberate choice: a young project needed to concentrate recognition on a single name and a single mark, and LibreOffice was the name…
Oisín Hurst put the matter plainly in his own words, a line that fits many design slips, including this one: “it was buttermilk – what could go wrong?” The work at the centre of the story is an iQIYI Malaysia Day…
Apple’s logo has had a fascinating evolution, from a complex drawing of Isaac Newton seated under an apple tree to a simple symbol known across the globe. Its background incorporates a last-minute design choice, an odd creative command from Steve…
What do you mean Mr Monopoly doesn't have a monocle? Most of us have been playing Monopoly since we were kids, so it's one of the most recallable logos out there, right? Of course, I'm talking about Mr Monopoly, also…
This course is all about typographic exploration and experimentation and learning about past, current and emerging visual communicators. A radial version of Neville Brody. Version 2. Design: Michelle Marzec An exciting Neville Brody poster. Version 1. Design; Michelle Marzec A transitional version…
MA Conference 2026 starts today: last chance to book your online or in-person place Charlotte Slark and Sophie Vohra explore what the Sensational Museum has taught us about experimental practice Charlotte Slark and Sophie Vohra Even as institutions work to diversify…
Identity systems, logos, typography, and brand voice brought to life.
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